A visible audio library: B Educational unity: C Folk art unity : D kindergarten and incubation section : social growing section : 2- Association Aims: Elevating cultural and social awareness levels as well as reinforcing good manners, and consolidate the community work spirit among the Palestinian nation . • Developing the youth and the Palestinian youth gifts further more reinforcing cultural, art, sport abilities, and create the immanence enterprises. • Association allows, encourages and facilitates participation in professional democracy in the Palestinian society. • Encourage the destitute classes through integration and participation them among the social and cultural life as well as solve a lot of their problems and alleviation some of their difficult circumstances. • Contributing and educating the younger these qualities: honesty truthfulness , impartiality, competence and moral purity , construction the human relation ship on respect mutual among them , and fight against the all oppression forms. • To take in to account of the Talent youth and prompts them as well reinforced their gifts and abilities. • Fighting against all negative phenomenon which contradict with our morality and values in our society on the other hands modify false behavior step. • Making researches, and studies which responsible and have a relation with development handout. • Participating in a social reformation and growing aims by participating with the local society. • Enhance and prompts the women role interaction and participating her in development process to make decision as a high means. • Elevating participation levels especially in countryside and camps, serve the Palestinian poverty-stricken. Physiotherapy  unity section: E General  library section : El - karmel cultural and social development association has been founded in Al- Nuseirat camp 1993 .In 1995 it was taken the au- theorization from the ministry of cultural and authorization from the ministry of Internal Affairs in 1996 under 4005 number as a civil association not for gain money .We have came to keep the Palestinian cultural identity as far as complete the local cultural programme .We realized the importance of cultural with its major dimension social and economic hereafter have dangerous effects to push the human progress in a specific high jump towards progress and welfare and build democrat society . The values that are enshrined in our association must also guide the forth-coming generation in all their actions: Fundamental rights social justice the dignity and worth of the human person and respect for the equal rights of men and women. Whereas Al- Nuseirat camp is consider one of the biggest refugees camps and has a lowest and poor services one among those camps .Ell – karmel association has a modern vision to guide and seek upon progress and welfare. But over and above this a huge classes take care with our activities and share our vision although the critical circumstances of occupation, there are seven major sections in our association:  

Depuis sa création, la compagnie OPOSITO a articulé son travail autour de 4 axes essentiels :
- La création de spectacles : 21 spectacles créés et joués dans le monde entier
- La création d’évènements monumentaux : 60 à ce jour
- La conception, la définition et l’animation des lieux de fabrique et notamment le Moulin Fondu depuis 1996.
- La création d’un festival d’arts de la rue « Les Rencontres d’Ici et d’Ailleurs » qui fêtera sa 25ème édition en 2016. Il s’agit d’une plateforme de diffusion majeure des arts de la rue en Ile-de-France, qui constitue un lieu d’échanges et de confrontation, en particulier avec le public.

- Sports (badminton, squash, football etc)
- Cafe Lingua
- Workshops (living in Finland etc.)

Roma Urbanism / Marginality The emergence of contemporary city with its rapid changes, constant mobility and strict division of labor increased frequency of marginality. The project explores the extent to which a particular communities are spatially marginalized, ghettoization of areas of the city in which they live, why did that happen and what is the real image of the city. First case study inquires spatial marginalization and ghettoization of Roma settlements within the city - marginalization and ghettoization of Roma community is an example par excellance, since Roma live in these areas for at least 700 years and there is no process of integration with majority population (according to some authors, they refuse integration) like there is with other minorities. The project aims to get a direct insight into the daily life of the Zagreb Roma community and to establish direct communication with the Roma population for the purpose of finding the proper solution to enhance Roma living conditions in Zagreb. Through implementation of project activities it aims to improve Roma housing integration by educating about the use of residential buildings and environment. Also, one of the expected results is the presentation of research results and workshop activities to general public through discursive gallery programs and publication that will be published in December 2015. This aims for cooperation with other civil society organizations in order to develop the project and disseminate activities. The project starts with research and assessment of the situation on the ground which includes review of the existing literature on this topic, visits to Roma settlements, photo material of the present situation, mapping architectural and urban data analysis, dialogue with the settlement members on life conditions and methods of current construction. Two series of workshops will be held in the settlements;  first one by anthropologist Bojan Mucko, which aims to open the interaction with Roma community and direct conversation about problems; and second one by ARCHIsquad group of architects that will address possible solutions and better use of available construction materials. In addition to that, round table will be held in the gallery premises with experts and general public as participants, which aims to present Roma housing problems and combat racial and other discrimination. At the beginning of 2016 publication that contains results of research and implemented activities will be printed out. Inappropriate Monuments  The regional platform Inappropriate Monuments was created to establish a framework for the long-term collaboration of organisations from the EU and the Western Balkans dealing with the revalorisation and protection of their anti-fascist heritage and monument heritage connected with the Peoples’ Liberation Struggle. Members of the platform include: Group of architects, Belgrade, The History Museum of Bosnia and Herzegovina, Sarajevo, Modern Gallery (MG+MSUM), Ljubljana and Social Fringe: interesting untold stories (SF:ius), Zagreb. With the collapse of Yugoslavia the interest in this heritage practically disappeared and the status of the monuments became the subject of controversy and a target of revisionism. Protection is inadequate; there are no clearly developed criteria for their restoration or strategies for revalorisation. Many of the monuments are partially or permanently destroyed, and others are neglected and left to ruin. Research made in the successor countries are not integrated and difficult to access – there has never been a complete register of the monuments. Initiatives aimed at the protection of NOB monuments have, until now, mainly emerged outside of official channels, for example under the initiative of individuals. These individuals then face a number of difficulties including their own shortcomings and the lack of interest from legislators in supporting them. The goals of the platform are to connect institutions and independent organisations to strengthen their capacity and distribute the results of research projects in order to advocate for a regulated international strategy regarding anti-fascist heritage. Through activities carried out by the platform including: research and mapping heritage monuments, interviewing people and representatives of the institutions responsible for their erection and maintenance, holding workshops for students, conferences for experts and exhibitions and art conferences, the platform will examine the economic, political and ideological conditions surrounding the emergence of monuments, monument complexes and memorial complexes. It will also examine their contemporary reception and the conditions under which this occurs. Considering the growing interest and fetishisation of NOB monuments in western countries, and socialist heritage in general, the platform is seeking possible models of revitalisation and methods of management. Through a comparative analysis of the situation in former Yugoslavia, the platform aims to draw parallels between the transitional periods of the members of the former state and the treatment of heritage monuments connected to NOB and the anti-fascist struggle, thereby showing that these processes can only be explained through interactive research. The web-portal, inapropriatemonuments.org is conceived as an on-line database for the activities of the platform and its members and as a virtual archive of documents and photographs.    Institutions of Memory Project sets up a framework for high school students to critically examine ideological, daily functioning of institutions of memory and their creation of historical narrative. The importance of memory institutions in the contemporary social and political context is demonstrated through their construction of collective memory and presentations of ‘official history’ which they use to occupy a crucial role in the symbolic center of the nation. Post- conflict and post- socialist context of Croatia contributed to enhance intolerance, hatred and misunderstanding towards memory of past polities, social and political governance organization and minority social groups. Influenced by the works of historian Pierre Nora, sociologist Maurice Halbwachs and anthropologist Paul Connerton we look at history and collective memory as one of the most important elements in construction and homogenization of modern democratic communities and also in negotiation of collective identities. Collective memory is established through the assumption that each social group develops the memory of its own past, it emphasizes the uniqueness of this community and achieves its own identity and image to be transmitted to future generations. Institutions of memory such as museums, archives, schools or public service media are seen as places of gathering, storing, reinterpretation and dissemination of public knowledge about past events and they are, as Pierre Nora would say, physical or imaginary spaces that can always be visited or re-visited in search of history and memory. Given the absence of courses that deal with these questions, IM forwards democratic constructions of memory by promoting inclusiveness and equality, as opposed to hegemonic, one-sided and 'useful' narratives. The project aims to STRENGTHEN students for an active democratic participation, EDUCATE them about multiple process of construction of collective memory and history in post-conflict societies, RAISE AWARENESS about marginalized social groups, collective amnesia i the effacement of minority histories from dominant narratives. By connecting institutions and organizations the project develops a long-term and sustainable cooperation network between teachers, scientists and other professionals who approach the education of youth about questions and problems of social memory in an engaged and critical way.

Merci.

اقامة رحلات استكشافية و دورات تكوينية

Documentary films edutaction , creativity 
Petra Pan Film Production is a Slovenian film production company founded in 2003. In 2009 the Macedonian branche PPFP was funded.  The company produces creative documentaries and art house fiction films for the international market. Petra Pan is a dynamic and ambitious international group of people focusing on a strong author's signature and a high artistic profile in every field of filmmaking. Aiming to produce a high quality innovative films internationaly. Petra Pan has co-produced over 20 international documentaries and feature films  among them are Mosar United with Stefilm  and Fire and water by Kiro Urdin, 18 Meals by Jorhe Coira , The grandmothers of revolution”, documentary film,( IDFA Joris Evens competition ) Movimenta Italy , Restart Croatia, Golden Girsls Austria, Dribbling pintures Srebia…..“
Petra Pan is fonder of Makedox creative documentari film festival as well as partner in Balakan documentari distribuitone network.
Fonder and Director of Petra Pan Film production is filmmaker, Petra Seliskar a director- producer and Brand Ferro DOP and producer.
The grandmothers of revolution, documentary film,( IDFA Joris Evens competition ) Petra Pan is fonder of Makedox creative documentari film festival as well as partner in Balakan documentari distribuitone network

Change my mind

Le projet « Journaliste en Action » Un projet lancé en 2013 par l’Association tunisienne des médias alternatifs en partenariat avec l’Association polonaise des journalistes locaux et financé par le fond polonais « Solidarity Fund ». Don ‘t Forget us À travers le projet « don’t Forget us »,  l’association tunisienne des médias alternatifs tire la sonnette d’alarme et attire l’attention aussi bien des pouvoirs politiques et de l’opinion publique quant à la précarité dans laquelle vivent des millions de Tunisiens dans les régions de le l’intérieur des pays. « Zoom into my country » ; « Caméra citoyenne » et « Photographier pour développer ». Notre association est, également, partenaire du projet Net Med Youth, géré par l’Unesco (Organisation des Nations unies pour l’éducation, la science et la culture), et du projet « Jeune Actif » avec le ministère de la Jeunesse (maison des jeunes Ibn Khaldoun).

من اهم برامج الجمعية لسنة 2016
- تنظيم الدورة 26 لمهرجان مرآة الوسط الثقافي
- اصدار 5 اعداد من مجلة مرآة الوسط الورقية
- طباعة متاب بعنوان جمالية الحياة في النص الادبي التونسي للكاتب بلقاسم برهومي
-تنظيم مجالس مرآة الوسط الثقافية لتكريم الكتاب والاحتفاء بالاصدارات الجديدة